J Dilla Foundation Launches Newly Designed Site + Logo Design Contest

dillasitescreenshot J Dilla Foundation Launches Newly Designed Site + Logo Design Contest
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DETROIT, MI – Today, the J Dilla Foundation formally launched a new MPC inspired website, www.jdillafoundation.org, along with the announcement of a Logo Design Contest for the Foundation. The newly re-established J Dilla Foundation is hard at work to re-brand their public and aesthetic image.

The new website was designed by Brooklyn–based designer and emcee Spec Boogie. The design is a tribute to J Dilla’s love for, and use of, the MPC. The website will serve as the hub for all J Dilla Foundation information, events and program/fundraising updates, as well as a platform for J Dilla fans to share artwork, comments and photos.

Kindra Parker, J Dilla Foundation Vice-Chair, said, “We are so excited about the reorganized Foundation! We’re eager to have a new image, and ready to embark on new ventures. It’s really important to us that fans are a part of our growth process. How awesome is it that somebody who loves Dilla can create the trademark to his legacy? We want to give everyone a chance to express themselves and pay homage.”

The logo design contest will run from February 23, 2010 (12:00PM EST) through March 23, 2010 (11:59M EST). In addition to design credit for the logo, the winner will receive a prize packet from Stones Throw & Stussy. Any additional prizes will be announced here on www.jdillafoundation.org.

Designers must include the words “J DILLA FOUNDATION” in all designs. All logos should be hosted online by the artist and submitted as a link. Finalists will be required to submit their entry in both color and black & white, high resolution, .JPG & .EPS files. All logo submissions should be sent to logos@jdillafoundation.org by the contest deadline. Official contest rules can be found here.

The J Dilla Foundation is a non-profit public charity created to honor the life and legacy of legendary producer and emcee James “J Dilla” Yancey. The mission of the Foundation is to help fund inner-city music programs, and provide scholarships to students attending schools with progressive music curricula, which includes studies in the genres of hip-hop, R&B, and soul.

For more info on The J DILLA FOUNDATION, visit www.jdillafoundation.org or for media inquiries, contact George Gomez at george@jdillafoundation.org.

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J Dilla – Jay Stay Paid

jaystaypaid J Dilla   Jay Stay Paid

J’s new album Jay Stay Paid J Dilla   Jay Stay Paid came out earlier this month and I can’t stop listening to it. You’ll either be affected emotionally by the range of head nodding hypnotic beats or sit in disbelief from the genius behind it…or both. If you don’t know Dilla he’s one of the most influential producers of all time. He’s done collaborations with with everyone from Eryka Badu to Common to Janet Jackson to Prince. Sadly he passed away at the age of 32 due to lupus related complications. Even when he was in the hospital he was still making music….now that’s LOVE. This album features 25 unreleased beats with guest vocals by artists like Black Thought (The Roots), DOOM, M.O.P., and Blu. The album was arranged and mixed by Pete Rock, executive produced by Dilla’s mom Maureen “Ma Dukes” Yancey. HIGHLY RECOMMENDED.

Check out this track called Lazer Gunne Funke J Dilla   Jay Stay Paid

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Exclusive Interview With Big Tone (Tres Records)

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Big Tone Interview by: Conrad Magabo (couple questions also provided by Alex Tshering)

A few days ago I posted up a piece on Big Tone letting everyone know about his album that’s about to drop at the end of this month. Fortunately I was also able to get an interview with BT thanks to Chikara from Tres Records. Check out what he had to say:

CM: Thank you for taking the time out of your schedule to interview with us.

BT: Appreciate y’all for having me.

CM: Your upcoming album “The Art Of Ink” is AMAZING! How long have you been working on it. How did it all come together?

BT:Good looking out…I worked on the album for just about a year. I work rather sporadically, so it wasn’t really a consistant thing…2 or three songs here or there. After a couple good weeks, it just kinda came together. The concept came about after it dawned on me that this is the first project that I had written out. Alot of what I had previously released had came together in the booth, freestyling, scribbling here and there. But this one is the first where I actually had notebooks with all the verses written down. So I kinda got stuck on the word “Ink”. Plus, I was in the process of designing a tattoo that I’m getting ready to get. It all kinda went hand-in hand.

CM: At what point in your life did you say, alright, it’s time to get serious with this. This is what I need to do? What inspired that?

BT: I don’t know if serious is a good word. I can’t say that I’m even serious right now. I think I’m alot more passionate about releasing music than I have been in the past, but serious? I don’t know. I think when my peers started impacting the world with music they were creating. Music that I was present to witness, inspire so many people around the world. Maybe I got more serious about it then. But really, I just enjoy the creative process and the response from people who appreciate it. That keeps me pushing. And there’s so much opportunity to grow, so I’m working on it.

CM: Can you tell us 5 random things about yourself?

BT: I’m shopping for cologne right now like it’s going out of style. I’m also growing an interest in acting (like, really…I’ve always enjoyed writing, so I think I wanna write a short film, and then find a role in it for me. Hotness, son). I’ve read more books this year than I’ve read since middle school. I am a pancake master, real skills with a skillet. Been rhyming since I was 10.

CM: Who/what are your main influences? (doesn’t have to be specifically music).

BT: My family, My fiance, and My fam. I don’t know what life would be like if any of these areas of my life were different.

CM: What goes through your mind when you’re writing/creating music?

BT: Whatever the track makes me feel like, in regards to my life. Some tracks sound like they’re meant to be the backdrop to my love song, my “I just gotta check” song, my “I just learned something new” song, etc. The right track is just whatever track fits the mood for the theme of the day. I just go from there.

CM: What do you think about the current state of the music industry? It’s changed a lot during the past decade. What direction do you think it’s going? where do you see it going?

BT: I think people who appreciate music, will always support it. I think people who are jaded about it, who
once genuinely appreciated music, can’t let go of the past and accept that music is different now, BUT it’s still some quality shit out here. And what’s fresh is we’re being reminded that you don’t need a record deal to be an artist. I think that’s beautiful. I’m not concerned with the industry. I just wanna keep making music.

CM: What do you think about MP3/MP3 players and it’s effects on you/artists? Do you own an I-Pod?

BT: I just hate it when people have a whole collection of bold MP3’s. Like the whole “I don’t buy music anymore” mentality. That’s wack when you just sit around and free download your whole library, and then blog/criticize about how this mix isn’t good enough, or that track isn’t strong as the last one you ripped for free. However, I do feel that it is definitely a good tool though. Word of mouth to the tenth power. Accessibility can be a good thing, or it can be a bad thing. Gave my ipod to my girl last year. The only time I really vibe out to music is when I’m in my living room thumbing through albums.

CM: What songs/artists are you currently listening to right now? Who do you recommend that everyone go listen to right now?

BT: Blu, my personal favorite right now. But I’m all over the place with my library right now. I’ve been banging 36 Chambers Exclusive Interview With Big Tone (Tres Records) for the past couple weeks. Madvillain. Guilty Simpson. If I had to make folks go listen to one thing right now, it’d be Suite For Ma Dukes. I’ve only heard a couple songs.Dwele put me up on the couple joints I heard, which was Find A Way, Fall In Love, and Nag Champa  Exclusive Interview With Big Tone (Tres Records)…but I’m really checking for that shit.

CM: Where do you see yourself in 5 years?

BT: Doing my best Pharrell Williams impression. I’m really looking forward to advancing into my career as a producer. I’ll be stepping in that direction more and more this year.

CM: Is there anything you want to let everyone know out there? Any knowledge you’d like to drop?

BT: I ain’t good at dropping knowledge. I’m still learning myself, you know? I do believe that music is the gift
that keeps on giving, and we really need to focus on putting more of our divine energy into it. I’m working on it. Being more open. To create with that intention. The Creator allows us to be creators…no halfsteppin’, y’all.

CM: From your experience as an artist, what advice do you have for all aspiring artists out there?

BT: Just stick to the script. Keep the Faith. Be true to you and yours, and don’t let time, money, or fame be the primary motivating factor. Push the envelope.

AT: You Established Mojoe Music System, LLC in 2005 “as a vessel for the preservation of progressive music,” enlighten our readers on exactly what you mean by progressive music, and what direction you see Mojoe heading to in the coming years.

BT: Progressive. There is no timeline or template for good music. Rock. Hip-hop. Soul. Jazz. R&B. Funk. Gospel.
I’d like to bring people together. I want Mojoe to help be a vessel for artists to share their creativity, without compromise. A melting pot for ill shit.

AT: I read that you are video game enthusiast, especially Madden, who was your favorite running back in Madden 93′?

BT: 93? Barry Sanders, of course. And Neal Anderson.

CM: For up and coming artist do you have a day job, or does music sustain your lifestyle?

BT: Yeah, I gotta day job. Kinda in that transition stage though. I got personal time stacked up, and when I need to take it, I do. Honestly, I’m blessed to be able to work my job, and do what I want musically. My job and my music career support eachother. And that’s a blessing. It’s piece of mind. Which allows me to feel no pressure when I create, now.

CM: Thank you so much for your time!

BT: Likewise. Peace.

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Count Bass D “Art for Sale”

CountBassDArtForSale Count Bass D Art for Sale

“My record company is jerkin’ me… in a million ways that I can see…”

This song is a great representation of what artists are encountering with record labels today. Dwight Farrell aka Count Bass D aka Dwight Spitz, from Tennessee, isn’t your typical southern rapper. His influences of Marvin Gaye, Stevie Wonder, Herbie Hancock, MF Doom, and J Dilla are prevalent in his lo fi grooves. Art for Sale Count Bass D Art for Sale is the title track from his album released in 2006. I always love it when I hear cats without a real singing voice sing to a track. … and conscious too?! What more can you ask for?

Check out Count’s latest album L7 which dropped a couple of days ago.

Count Bass D “Art For Sale”

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Count Bass D - Art for Sale - Art for Sale

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DJ Exile “Time Has Come” (Featuring Slum Village w/ Jay Dilla- RIP)

exile DJ Exile Time Has Come (Featuring Slum Village w/ Jay Dilla  RIP)

Here’s a track entitled Time Has Come  DJ Exile Time Has Come (Featuring Slum Village w/ Jay Dilla  RIP)which can be found on DJ Exile’s Dirty Science DJ Exile Time Has Come (Featuring Slum Village w/ Jay Dilla  RIP). The artists on this track include the late J Dilla- legendary hip hop producer and emcee, with his group Slum Village. This is probably THE song on this album that I can probably listen to hundreds of times without getting tired of it. It is definitely a “banger” that instantly induces a smile and an overwhelming feeling of appreciation for such an amazingly produced piece.

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 DJ Exile Time Has Come (Featuring Slum Village w/ Jay Dilla  RIP)

Exile - Dirty Science - Time Has Come (Featuring Slum Village)

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Music video of the day: Slum Village- “Turn it up”

You can find this track on Slum Village’s Fantastic Vol. 2 Music video of the day: Slum Village  Turn it up. It’s a timeless classic and definitely an album you need to have in your collection. It features priceless production by the late J Dilla. The production value itself is beyond amazing. Highly Recommended

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Truly Inspiring J Dilla Interview

J Dilla is one of my influences. He is known as one of the most respectable, and most influential hiphop producers of ALL TIME. He will surely be missed. Thank you for your music JD. RIP.

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